Characterization of Intonation in Karṇāṭaka Music by Parametrizing Context-based Svara Distributions

نویسندگان

  • Gopala Krishna Koduri
  • Joan Serrà
  • Xavier Serra
چکیده

Intonation is a fffndamental mffsic concept that has a special relefiance in Indian art mffsic. It is characteristic of the rāga and intrinsic to the mffsical expression of the performer. Describing intonation is of importance to sefieral information retriefial tasks like the defielopment of rāga and artist similarity measffres. In offr prefiioffs flork, fle proposed a compact representation of intonation based on the parametrization of the pitch histogram of a performance and demonstrated the ffseffflness of this representation throffgh an exploratifie rāga recognition task in flhich fle classi ed 42 fiocal performances belonging to 3 rāgas ffsing parameters of a single sfiara. In this paper, fle extend this representation to employ context-based sfiara distribfftions, flhich are obtained flith a di erent approach to nd the pitches belonging to each sfiara. We qffantitatifiely compare this method to offr prefiioffs one, discffss the adfiantages, and the necessary melodic analysis to be carried offt in ffftffre.

برای دانلود متن کامل این مقاله و بیش از 32 میلیون مقاله دیگر ابتدا ثبت نام کنید

ثبت نام

اگر عضو سایت هستید لطفا وارد حساب کاربری خود شوید

منابع مشابه

Intonation analysis of ragas in Carnatic music

Intonation is a fundamental music concept that has a special relevance in Indian art music. It is characteristic of a raga and key to the musical expression of the artist. Describing intonation is of importance to several music information retrieval tasks such as developing similarity measures based on ragas and artists. In this paper, we first assess raga intonation qualitatively by analysing ...

متن کامل

Characterization of Intonation in Carnatic Music by Parametrizing Pitch Histograms

Intonation is an important concept in Carnatic music that is characteristic of a raaga, and intrinsic to the musical expression of a performer. In this paper we approach the description of intonation from a computational perspective, obtaining a compact representation of the pitch track of a recording. First, we extract pitch contours from automatically selected voice segments. Then, we obtain ...

متن کامل

On the perception of "segmental intonation": F0 context effects on sibilant identification in German

In normal modally voiced utterances, voiceless fricatives like [s], [ʃ], [f], and [x] vary such that their aperiodic pitch impressions mirror the pitch level of the adjacent F0 contour. For instance, if the F0 contour creates a high or low pitch context, then the aperiodic pitch impression of the fricative in this context will also be high or low. This contextmatching effect has been termed “se...

متن کامل

Data-Driven Exploration of Melodic Structure in Hindustani Music

Indian art music is quintessentially an improvisatory music form in which the line between ‘fixed’ and ‘free’ is extremely subtle. In a rāga performance, the melody is loosely constrained by the chosen composition but otherwise improvised in accordance with the rāga grammar. One of the melodic aspects that is governed by this grammar is the manner in which a melody evolves in time in the course...

متن کامل

Karn. Āt. Ik Music: Svara, Gamaka, Phraseology and Rāga Identity

Over the last century in Karn. āt .ik 1 music, the method of understanding rāga has been to break it down into its various components, svara, scale, gamaka, and phrases. In this paper, an attempt is made to define the abstract concept of rāga in its entirety within the aesthetics of Karn. āt.ik music considering the various components and their symbiotic relationship. This paper also attempts t...

متن کامل

ذخیره در منابع من


  با ذخیره ی این منبع در منابع من، دسترسی به آن را برای استفاده های بعدی آسان تر کنید

برای دانلود متن کامل این مقاله و بیش از 32 میلیون مقاله دیگر ابتدا ثبت نام کنید

ثبت نام

اگر عضو سایت هستید لطفا وارد حساب کاربری خود شوید

عنوان ژورنال:

دوره   شماره 

صفحات  -

تاریخ انتشار 2012